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・ Basket Club Ferrara
・ Basket CRO Lyon
・ Basket Dome
・ Basket flower
・ Basket hap
・ Basket interference
・ Basket Kwidzyn
・ Basket Lake
・ Basket Lattes
・ Basket Master
・ Basket Moon
・ Basket Napoli
・ Basket Navarra Club
・ Basket News (French magazine)
・ BasKet Note Pads
Basket of Bread
・ Basket of Fruit (Caravaggio)
・ Basket of Light
・ Basket of Wild Flowers
・ Basket option
・ Basket Parma
・ Basket Racing Club Luxembourg
・ Basket Range
・ Basket Rimini Crabs
・ Basket ROW Rybnik
・ Basket star
・ Basket Swamp National Park
・ Basket toss
・ Basket weave knot
・ Basket weaving


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Basket of Bread : ウィキペディア英語版
Basket of Bread

''Basket of Bread'' (1945) or ''Basket of Bread-Rather Death Than Shame'' is a painting by Spanish Surrealist Salvador Dalí. The painting depicts a heel of a loaf bread in a basket, sitting near the edge of a table. Dalí's use of bread in his paintings is much more than a staple of one's diet. In this case, to understand Dalí's message, one must look at the political context at the time of the painting, his progression as an artist, his societal beliefs and how bread is used in the painting.
==Progression and comparison to ''The Basket of Bread'' (1926)==
Dalí has used bread in many of his paintings, he explains:
:"Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago. By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism."〔
At 22, Dalí spent four months on the 1926 painting ''The Basket of Bread'', of which he explains: "by the power of its density, the fascination of its immobility, creates the mystical, paroxysmic feeling of a situation beyond our ordinary notion of the real. We are at the borderline of dematerialization of matter by the sole power of the mind."
The subject of this article, painted and completed in Monterey, California in 1945, he described to Luis Romero as "the most esoteric and the most Surrealist of anything I have painted to date," where the painting is even more dynamic by having the basket of bread placed on the edge of the table, giving a strong sense of forthcoming "borderline of dematerialization" than the painting of 1926.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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